Samantha Rosenwald

SAMANTHA ROSENWALD

b. 1994 Los Angeles 
Lives and works in Los Angeles

BIOGRAPHY

Samantha Rosenwald is a visual artist working primarily with paint and coloured pencil. By threading contemporary culture, visual puns, and the dogmas of art history, she creates absurd, personal, and darkly funny portraits that illustrate what it feels like to be alive.

Rosenwald's work has been exhibited in several solo exhibitions, including Exquisite Corpse, Arsenal Contemporary, New York (2021); Lepidoptery, Eve Leibe Gallery, London (2021); Penis Envy, Annarumma Gallery, Naples, Italy (2020); A Freudian Nightmare; An Onlooker Gasps, Ballon Rouge Club, Brussels (2020); Schadenfreude, Steve Turner, Los Angeles (2020) and Soft Opening, MCLXVII, San Francisco (2019). Rosenwald's work has also been featured in group exhibitions, such as Bad Girls, WALLSPACEPLEASE, Dubai (2021); Happy Hour, Eve Leibe Gallery, London (2021); New Now, Xiao Museum, Rizao, China (2021); Sweet Jane in Fields of Daisies, Phillips Auction House Dancing in Dark Times, Pippy Houldsworth Gallery, London (2021); Family Business, JDJ: Tribeca, New York (2021); Our World, Steve Turner, Los Angeles (2020) and No Time Like the Present, PUBLIC Gallery, London (2020) among others.

She received a Bachelor of Arts degree in Art History from Vassar College, New York (2016) and A Master of Fine Art from California College of the Arts, San Francisco (2018).

Contact Us for available works by Samantha Rosenwald .

ARTWORKS

Virtual Reality, 2021

PAST EXHIBITIONS

Featured
Higher Than The Sun
Dec 15
Higher Than The Sun

Volery Gallery, Dubai and Stems Gallery, Brussels collaborated to present Higher Than the Sun, a group exhibition opening on 15 December 2021. Opening in December 2021, the exhibition presents a selection of contemporary artists with a prosperous history with the Stems Gallery. The gallery was established in 2015 by siblings Guillaume and Pascaline Smets. The collaboration will highlight the works of artists that are not well known to the art audience in the Middle East, realising Volery's aims for a more comprehensive presentation of contemporary happenings in the international art scene.